![]() ![]() Brad Mehldau Bard Goodbye Storyteller (for Fred Myrow) The Bard Returns McNeely goes through about 20 different keys in this 5-minute track. Jim McNeely There Will Never Be Another Youįrom McNeely at Maybeck, a solo recital from 1992. Tenor sax jazz solo transcriptions free#Rahsaan Roland Kirk Blues for Alice (concert pitch) Blues for Alice (for Bb instruments)įrom We Free Kings (1961) contains Kirk's solos on both tenor and soprano saxes (and both at the same time!). Joe Henderson Isotope (concert pitch) Isotope (for Bb instruments)įrom Inner Urge (1965). (See below for Monk's solo from the same take.) Johnny Griffin Rhythm-a-ning (concert pitch) Rhythm-a-ning (for Bb instruments)įrom Thelonious in Action (1958). Bill Evans All the Things You Areįrom the 1963 recording Solo Sessions, Vol. The transcription contains only the piano and bass parts. Prelude to a Kiss (piano trio)įrom the 1953 piano trio album Piano Reflections with Wendell Marshall (bs) and Dave Black (ds). This is not a part-for-part transcription, but every note on the recording is there, and gives a good idea of Duke’s orchestration and voicing. Duke Ellington Prelude to a Kiss (ensemble)įrom the 1938 big band album Braggin’ in Brass. The head, and includes George Coleman on tenor, Hilton Ruiz on piano, and George Coleman Lo Joe (head only, ensemble)įrom Amsterdam After Dark (1979). I love Liam Byrne’s dark and sultry tenor sax tone on this video.Gene Ammons/Sonny Stitt Autumn Leaves (concert pitch) Autumn Leaves (for Bb instruments)įrom Boss Tenors (1961) contains both Ammons's and Stitt's solos. It’s great to see a young tenor sax player carrying on the jazz tradition and playing jazz at live gigs. With a warm smooth sound and swinging style based on the playing of such masters as Lester Young and Wardell Grey, Byrne is a talent to keep an eye on.Ī popular guest at jazz clubs around the UK, more recently Liam has studied with renowned bebop pianist Barry Harris and has been invited to perform in Europe, appearing at jazz clubs in France and the Netherlands. Based in Wales, he has worked around the UK with a variety of the area’s finest musicians, as well as the likes of Harry Allen and Rossano Sportiello. Here’s a short Bio about Liam Byrne from his website at :ĭescribed as a torchbearer of the jazz tenor saxophone tradition, North Wales-born Liam Byrne studied at Leeds College of Music, winning several awards including the Dave Cooper Memorial Prize for Jazz Saxophone and the ‘Spud Murphy’ Saxophone Prize, and is also a graduate of the London Guildhall School of Music. Elmar gave me permission to share it with all of you as well. This great solo transcription of Liam Byrne soloing on “Almost Like Being in Love” was done by Elmar Krick from Munich, Germany. There was a maturity and substance to his playing that you don’t usually hear in a young musician of his age. His tenor saxophone sound and lines were indicative of an “old soul” in a young body to my ear. Liam Byrne caught my attention when I first heard his flowing lines on that blues seven years ago. You may remember that I transcribed a killer blues solo by Liam Byrne back in 2014 called Uptown Shuffle. He is playing duo with the pianist Rossano Sportiello at a private party back in 2016. Here’s another great swingin’ tenor sax solo transcription of a young tenor sax player, Liam Byrne soloing on the jazz standard “Almost Like Being in Love” by Frederick Loewe. ![]()
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